Search Results for “scholarships” – The 91制片厂 Fri, 12 Apr 2024 13:36:44 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.1 Undergraduate fees, funding & scholarships /study/undergraduate/undergraduate-fees-funding-and-scholarships/ Mon, 19 Apr 2021 14:14:25 +0000 /?page_id=7963 Quick links Tuition Fees How to Pay Fees Fee Status – Home or Overseas? Financial Support for Undergraduates 91制片厂 Bursary The 91制片厂 Bursary provides financial support for your maintenance and...

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Quick links

Tuition Fees How to Pay Fees Fee Status 鈥 Home or Overseas?

Financial Support for Undergraduates

students in the library

91制片厂 Bursary

The 91制片厂 Bursary provides financial support for your maintenance and living costs on a sliding scale for Home undergraduates registered as students at The 91制片厂 Institute of Art who meet set Widening Participation criteria.听 The Bursary is a…

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The James Hughes-Hallett Undergraduate Scholarship

The James Hughes-Hallett Undergraduate Scholarship has been established through generous philanthropy to support听BA History of Art students听who are from groups that are underrepresented in UK Higher Education. This new scholarship has been made possi…

Read more

Undergraduate Funding Support – FAQs

How much are the tuition fees?

With effect from September 2017, the 91制片厂 Institute of Art will charge an annual tuition fee of 拢9250 for all UK students embarking on our full- time BA History of Art programme, as approved by the Office for Fair Access (see the ).

Our Tuition Fee page has further details on Overseas fees and fee assessment

International Students – Equivalents to Student Loans Company

International students are encouraged to look at similar student finance schemes from their country of origin available to studies studying overseas.

Other Resources

Further information about grants and loans may be obtained from the following sources:

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]]> Financial Support for International Students /study/international-students/financial-support-for-international-students/ Fri, 23 Apr 2021 15:04:43 +0000 /?page_id=12330 ...territorial and federal governments. Canadian Loan Guidance 91制片厂 Scholarships Thanks to the generosity of many donors, The 91制片厂 has a number of scholarships to support Conservation, MA and PhD students,...

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Deciding to come to the UK as an international student can be a significant financial commitment. Before you start on a programme of study at The 91制片厂, you should carefully consider your financial expenses and living costs.

If you require a visa to study in the UK, evidence that you can support yourself (and any dependents) is a condition of gaining entry clearance into the UK, and so ensuring that you have planned ahead is essential.

There are variety of avenues you can explore below, ranging from government loan schemes to our own 91制片厂 Scholarships.

How much are fees for international students?

Please check our fees and funding听page for up to date fees.

US Federal Loans

The 91制片厂听is registered with the US Department of Education as an foreign institution for the听Federal Student Aid听program. Eligible students may apply to borrow toward tuition fees and assistance with the cost of living.

Please check our US Federal Loans page for more information on eligibility and how to apply to apply for a US Federal loan.

US Fulbright Student Program

罢丑别听听is a program of merit-based grants for international study, where听competitively selected U.S. citizens may become eligible for scholarships to study, conduct research, or exercise their talents abroad.

Please check the听听website for more information.

Canadian Loans

Student Financial Assistance, including loans and grants, is available to eligible Canadian students through provincial, territorial and federal governments.

91制片厂 Scholarships

Thanks to the generosity of many donors, The 91制片厂 has a number of scholarships to support Conservation,听MA and PhD students, which may cover fees and/or maintenance. These are awarded via the听91制片厂 Scholarship听scheme are awarded on the basis of academic merit and financial need.

International students are eligible to apply for a 91制片厂 Scholarship.

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]]> 91制片厂 Bursary /study/undergraduate/undergraduate-fees-funding-and-scholarships/courtauld-bursary/ Fri, 23 Apr 2021 13:35:09 +0000 /?page_id=11987 What is The 91制片厂 Bursary? The 91制片厂 Bursary provides financial support for your maintenance and living costs on a sliding scale for Home undergraduates registered as students at The 91制片厂...

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What is The 91制片厂 Bursary?

The 91制片厂 Bursary provides financial support for your maintenance and living costs on a sliding scale for Home undergraduates registered as students at The 91制片厂 Institute of Art who meet set Widening Participation criteria.听 The Bursary is aimed at supporting students to study at The 91制片厂 who come from under-represented groups in higher education.

The 91制片厂 Bursary:

  • is available each year of your studies as long as your annual household income remains under 拢45,000
  • may be revised each year if there are changes to your household income
  • does not distinguish between students living at home and those living away from home

The 91制片厂 Bursary is听苍辞迟听available for:

  • repeat years of study
  • postgraduate study or research
  • overseas students
  • EU students

Eligiblity

The key criterion for assessing how 91制片厂 Bursaries are awarded is based on household income assessments done by relevant government funding bodies, i.e. Student Finance England, Student Finance Northern Ireland, Student Awards Agency for Scotland and Student Finance Wales. 听This is why only Home students who have applied for Student Loans are eligible for The 91制片厂 Bursary scheme.

When applying for government funding, both you and your parents听must听consent to sharing the financial information you provide on your Student Loan application.听 This will allow us to access your information and determine your eligibility for a 91制片厂 Bursary.

In addition, Widening Participation markers are also considered.听 These are:

  • State school or college educated
  • Students whose parents have not attended university
  • Resident in a low Higher Education participation neighbourhood
  • In receipt of Disability Support Allowance

There is no formal application procedure and no separate application form for The 91制片厂 Bursary.

Your eligibility for a 91制片厂 Bursary will be assessed in the first few weeks of the first term of the academic year, as long as you have applied for a Student Loan.听 In subsequent years you will be re-assessed at the start of the academic year to ensure that you still meet the eligibility criteria for a 91制片厂 Bursary.

How much money can I receive from a 91制片厂 Bursary

Household Income 

Per Annum

91制片厂 Bursary 

Per Annum
拢25,000 or less 拢3,000
拢25,001 to 拢30,000 拢2,000
拢30,001 to 拢35,000 拢1,500
拢35,001 to 拢40,000 拢500
拢40,001 to 拢45,000 拢250
Above 拢45,000 拢0

Depending on how much your household income is, you can receive up to 拢3,000 per annum to support your studies while at The 91制片厂.  The table above gives the sliding scale of amounts that you can receive, based on your household income.

Once the Student Loans Company confirms your funding entitlement to us, we will write to you to confirm the bursary amount that you will receive from The 91制片厂.

The deadline by which we must receive your household income information from the Student Loans Company is 1 December after the start of the academic year (e.g. we must receive this information by 1 December 2021 for students starting in September 2021).

The earlier you apply for student loan funding (we advise you to apply as soon as possible), the earlier we will be able to confirm what Bursary you will be eligible for.

What do I need to do to be considered?

Once we have assessed your information we will write to you informing you of your Bursary entitlement.  You will be asked to confirm that you wish to accept The 91制片厂 Bursary.

Please note that the Bursary is paid to support your living/maintenance costs, and is not re-payable.

You must sign the declaration, provide your bank account details and return your Bursar confirmation by the date specified.

When and how is the Bursary paid?

The 91制片厂 Bursary is paid directly into your bank account.

Bursaries of 拢500 or less will be paid in one instalment in late October.

Bursaries of more than 拢1,500 will be paid in three equal instalments in late October, early January and April.  Actual dates of payment will be provided when you receive notification of your Bursary.

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]]> 91制片厂 Postgraduate Scholarships /study/postgraduate/courtauld-scholarships/ Fri, 23 Apr 2021 14:32:12 +0000 /?page_id=12156 ...in the form of scholarships and bursaries. 2024/25 91制片厂 scholarship applications are now closed. 91制片厂 Scholarship Application Information Please consult the website for the most up-to-date programme and scholarships information...

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Thanks to the generosity of an international group of committed donors, The 91制片厂 Institute of Art is pleased to be able to provide financial assistance to postgraduate students when possible in the form of scholarships and bursaries.

2024/25 91制片厂 scholarship applications are now closed.

91制片厂 Scholarship Application Information

Please consult the website for the most up-to-date programme and scholarships information before completing the scholarship application form.

Please download the application form from the link below:

2024/25 91制片厂 Scholarship Applications are now closed.

Eligiblity

Applications are welcomed from Home, EU and Overseas students applying to or currently studying the following programmes:

  • MA Conservation of Easel Paintings
  • MA Conservation of Wall Paintings
  • MA Buddhist Art History and Conservation
  • MA History of Art
  • MA Curating the Art Museum
  • PhD Research (Not including the Writing Up year)

The Graduate Diploma in the History of Art programme is not eligible for 91制片厂 Scholarship funding.

New Applicants

Scholarship applications are made separately to the online application system used for programme applications.

Your application for a place at The 91制片厂 will be reviewed for our scholarship selection process, which is assessed solely on the basis of academic merit for a majority of our scholarships. Your financial information is requested with your scholarship application to assess your general scholarship eligibility, and also used for a small number of financial based scholarships if available.

You are welcome to submit your funding application before you have received an offer. Once an offer has been made, your scholarship application will automatically be put forward for consideration at the allocation meetings.

How do I provide financial need information?

You will be asked to provide details of your income and expenditure 鈥 both for the year preceding the application year, and an estimate for the year you are applying for. This is supported by providing three months bank statements.

Supplementary Documentation

Please do not send any additional supporting materials (such as writing samples, certificates etc.) other than those we request, as these will not be considered as part of the application process.

How are scholarships disbursed?

  • All scholarships will be paid in the first instance towards tuition fees, and are conditional on you听meeting their entry requirements (where applicable) and enrolling at the start of the academic year.
  • Any balance remaining after the deduction of tuition fees will be paid directly to you听in equal instalments at the start of each term, subject to full attendance of classes and academic effort.
  • Scholarships are not transferable between programmes or years. You would be required听reapply for any scholarship awarded听should you听elect to defer a programme of study.

91制片厂 Scholarship Application Dates and Deadlines

Application Deadline: 17:00 (UK Time) ,15th March 2024听

Non-PhD offer holders will be notified the scholarship outcome by email from 28th March onward, before the acceptance deadline in May. Unfortunately we are unable to inform exactly when you will hear from us.

PhD offer holders will be notified the scholarship outcome from 20th May onward.

 

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]]> Postgraduate fees, funding & scholarships /study/postgraduate/postgraduate-fees-funding-and-scholarships/ Fri, 23 Apr 2021 14:22:24 +0000 /?page_id=12127 ...of funding London Goodenough Association of Canada – Accommodation and scholarships for Canadian students only British Council – Scholarships for non-UK postgraduate students Fulbright – Program for US students Funds...

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Quick links

Tuition Fees How to Pay Fees Fee Status 鈥 Home or Overseas?

Financial Support for Undergraduates

students in the library

91制片厂 Bursary

The 91制片厂 Bursary provides financial support for your maintenance and living costs on a sliding scale for Home undergraduates registered as students at The 91制片厂 Institute of Art who meet set Widening Participation criteria.听 The Bursary is a…

Read more
vernon square building exterior

The James Hughes-Hallett Undergraduate Scholarship

The James Hughes-Hallett Undergraduate Scholarship has been established through generous philanthropy to support听BA History of Art students听who are from groups that are underrepresented in UK Higher Education. This new scholarship has been made possi…

Read more

Programme specific scholarships

The below awards are applied for via the typical 91制片厂 Scholarship process, with eligible students considered for the awards below where appropriate.

The Andrew Hochhauser KC Scholarship: For the 2022/23 academic year, Mr Andrew Hochhauser KC will make a 拢6,000 scholarship available to an MA History of Art student enrolled on either 鈥New York-London-Paris, 1880-1940鈥 or 鈥Victorian Science and Aesthetic Movement Art鈥

The New Directions Scholarship: This scholarship is for students enrolled on the MA History of Art programme, as part of their efforts to change their career path from a sector or discipline other than History of Art.

The Gabrielle Jungels-Winkler Scholarship: A scholarship awarded to a graduate student/alumna from Scripps College wishing to study for the MA in the History of Art at The 91制片厂.

The Jungels-Winkler Scholarship (EU): A scholarship awarded to an MA History of Art student with EU resident status, with priority given to a student from an underrepresented background in higher education.

Sources of Funding for Conservation Students

Awards ranging from 拢2,000 to 拢15,000 available for craftsmen and women of all ages to help them further their careers. Students on the MA in Conservation of Wall Painting and Postgraduate Diploma in the Conservation of Easel Paintings are eligible for this award.

 

Students on full-time conservation courses can apply independently to the Anna Plowden Trust for up to 拢2,000 towards their fees for the first year of the course.

Other sources of funding

Alumni loyalty scheme

The 91制片厂 offers an alumni loyalty scheme, open to any graduate of The 91制片厂 Institute of Art admitted to a new taught postgraduate programme of study from 2015/16 onwards. Recipients will receive a 10% loyalty discount off their tuition fee for the duration of the course

Loan schemes

US / Canadian Government Loans

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]]> 脡owyn Kerr-Di Carlo /people/eowyn-kerr-di-carlo/ Tue, 03 Mar 2015 18:13:41 +0000 /people/all/eowyn-kerr-di-carlo/ ...Foundation; Edmond J. Safra Philanthropic Foundation; 91制片厂 Scholarships Education 2014-present, PhD Candidate, The 91制片厂 Institute of Art 2012-2013, MA in History of Art, The 91制片厂 Institute of Art Funded by:...

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Thesis: 鈥楲orenzo Monaco and the Missal of Cardinal Acciaiuoli: Patronage, Production and the Painter-Illuminators of Early Renaissance Florence鈥

Supervised by:听听补苍诲听

Funded by: The Guilford Foundation; Edmond J. Safra Philanthropic Foundation; 91制片厂 Scholarships

Education

  • 2014-present, PhD Candidate, The 91制片厂 Institute of Art
  • 2012-2013,听MA in History of Art, The 91制片厂 Institute of Art
    Funded by: Broad Art Foundation and 91制片厂 Scholarships
    Special option: 鈥楢rtists and Friars: the Renewal of Painting in Assisi and Siena in the Thirteenth and Fourteenth Centuries鈥
  • 2000-2003,听MA and Certificate of Advanced 91制片厂 in Art Conservation, SUNY Buffalo State College
    Funded by: Andrew W. Mellon Fellowship and SUNY Research Foundation Scholarship
  • 1995-1996,听PG Certificate (Corso di Perfezionamento), University of Florence
    Subject: La scienza per la conservazione dei beni culturali
  • 1995-1996,听PG Diploma in Art Conservation, SACI, Florence
    Funded by: Jules Maidoff Scholarship
  • 1988-1992,听BA in Fine Arts, San Francisco Art Institute
    Major subject: Printmaking

Teaching

  • 2019 Autumn term, Graduate Teaching Assistant, The 91制片厂 Institute of Art, Foundations Course Lectures (Classical and Byzantine Art, The Middle Ages, Renaissance Art, Early Modern China, European Architecture)
  • 2008-2014,听Adjunct Faculty/Lecturer, American University of Rome
    Lecturer and instructor of undergraduate courses on the History of Art and the Conservation and Restoration of Cultural Heritage
  • 2005-2006,听Course Coordinator and Academic Advisor to the Conservation Department, Lorenzo de鈥 Medici Institute, Tuscania
  • 2003-2004,听Adjunct Faculty, SACI, Florence
    Thesis Advisor and Lecturer for the Post-Baccalaureate program in Art Conservation

Professional experience

Print Room Assistant (curatorial support), The 91制片厂 Gallery, London,听2017-2018

Contract Paintings Conservator, Katherine Ara Limited, London, 2010, 2011

Samuel H. Kress Conservation Fellow, Medieval and Renaissance Galleries Project, Victoria & Albert Museum, London,听2006-2007

Associate Paintings Conservator, Steven Prins and Company, Santa Fe,听1999-2000,听2002,2004, 2005, 2006

Collections Docent for the Sir Harold Acton Collection, Villa La Pietra, New York University, Florence,听2004-2005

Contract Paintings Conservator, Matteo Rossi Doria/Centro di Restauro Studio Barbabianca, Rome,听2004-2005

Research, Special Collections and Archives, Utah State University (conducted in Florence), 2004

Graduate Intern in Paintings Conservation, North Carolina Museum of Art, Raleigh,听2002-2003

Research interests

  • Technical art history
  • Italian art between听1280-1480
  • Artistic networks
  • Historic painting practices
  • Illuminated manuscript production
  • Ecclesiastical and monastic patronage
  • Materials use and relationships (particularly relationships between the techniques of painting, manuscript illumination, metalwork, stained glass, leatherwork, embroidery)

Conference papers

  • 鈥槹粘蟊鹛cartolai听connection: assessing the artistic networks of Florentine manuscript production at the turn of the fifteenth century鈥, Annual Postgraduate Symposium, The 91制片厂 Institute of Art, London, 8-9 October 2020
  • 鈥楴etworks and Allegiances: a brief look at the painter-illuminators of Sant鈥橢gidio c. 1420鈥,听Giotto鈥檚 Circle, The 91制片厂 Institute of Art, London, 3 June 2019
  • Session chair, 鈥榃orkshops and Artistic Methods鈥 at听Conversing and Connecting Over Time, Annual Postgraduate Symposium, The 91制片厂 Institute of Art, London, 16 May 2019
  • 鈥楢 brief study of the painter-illuminators at Sant鈥橢gidio c.1420鈥 at听New Dialogues in Art History, The Warburg Institute, London, 27 February 2019
  • Session chair,听The Colors of Paradise: Painting Miniatures at Italian Convents, ca.听1300-1700, 5th Annual Jane Fortune Conference, co-organized by the Medici Archive Project and the Museo Nazionale di San Marco, Biblioteca di San Marco, Florence, 11-12 October 2018
  • 鈥楽anta Maria degli Angeli or not? Considering Florentine artistic networks and the painter-illuminators of Fitzwilliam MS 30鈥 at听Medieval Collaborations, 22nd听Annual Medieval Postgraduate Colloquium, The 91制片厂 Institute of Art, London, 4 February 2017
  • 鈥楳aking the Cardinal鈥檚 Missal: Looking anew at the Circle of Lorenzo Monaco and the Illuminators of Fitzwilliam MS 30鈥 at听MANUSCRIPTS in the MAKING: Art and Science, The Fitzwilliam Museum and Departments of Chemistry and History of Art, University of Cambridge, Cambridge, 8-10 December 2016
  • 鈥楲orenzo Monaco and the Missal of Cardinal Acciaiuoli: Patronage, Production and the Painter-Illuminators of Early Renaissance Florence. A work in progress.鈥 at听Leuven-Lille-London study group Annual Conference, The 91制片厂 Institute of Art, London, 1 April 2015
  • Session chair,听Movement in Medieval Art and Architecture, 20th听Annual Medieval Postgraduate Colloquium, The 91制片厂 Institute of Art, London, 7 February 2015
  • 鈥楪old, Glass and Light: The Franciscan vision in representations of the stigmata鈥 at听the Association of Art Historians 40th听Annual Conference, Royal College of Art, London, 10-12 April 2014
  • 鈥楢ccounting for Taste: Retaining an Historic Restoration from a Sienese Accounts Book鈥 at听the American Institute for Conservation of Historic and Artistic Works, 36th听Annual Meeting, Denver CO, 21-24 April 2008
  • 鈥楥oncepts of authenticity as related to a 15th听century Florentine听Cassone听panel in the V&A Museum鈥 at听Art, Conservation and Authenticities: Materials, Concept, Context,听2nd听Annual Conference,听ICON Scotland and University of Glasgow, Glasgow, 12-14 September 2007

Publications

  • 鈥楳aking the Cardinal鈥檚 Missal: Looking anew at the Circle of Lorenzo Monaco and the Illuminators of Fitzwilliam MS 30鈥, in听Manuscripts in the Making: Art and Science, edited by S. Panayotova and P. Ricciardi. London and Turnhout: Harvey Miller/Brepols, 2017
  • 鈥楪old, Glass and Light: The Franciscan vision in representations of the stigmata鈥, in听Colour and Light in Ancient and Medieval Art, edited by C. Duckworth and A. Sassin. Farnham: Ashgate, 2017
  • 鈥楥oncepts of authenticity as related to a 15th century Florentine听肠补蝉蝉辞苍别听panel in the V&A Museum鈥 in听Art, Conservation and Authenticities: Material, Concept, Context,听edited by E. Hermens and T. Fisk. London: Archetype Publications, 2009
  • 鈥楢ccounting for Taste: Retaining an Historic Restoration from a Sienese Accounts Book鈥,听AIC Paintings Group听36th Annual Meeting听辫辞蝉迟-辫谤颈苍迟蝉, Denver, 2009
  • 鈥楻enaissance Painted听Cassoni鈥欌赌,听V&A Conservation Journal, No. 56, Spring 2008
  • 鈥楾he Not So Secret Formulas of Jacques Maroger: An Investigation of the Manufacture and Use of Maroger Mediums鈥,听ANAGPIC Conference post-prints, Cambridge, 2004

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]]> Support our students /join-and-support/make-a-difference/support-our-students/ Tue, 27 Apr 2021 16:29:12 +0000 /?page_id=18111 ...the landmark fund enables The 91制片厂 to offer undergraduate scholarships for the first time. The James Hughes-Hallett undergraduate scholarships are part of a larger strategy from The 91制片厂 to address...

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Postgraduate scholarships: Your transformative impact

Founded on the belief that everyone should have the opportunity to engage with art, The 91制片厂 works to increase understanding of the role played by art throughout history, in all societies and across all geographies 鈥 as well as being a champion for the importance of art in the present day.

The 91制片厂 is committed to attracting the very best students from across the world, regardless of their background or financial circumstances. In a global context of reduced public funding for higher education, scholarships are among our highest philanthropic priorities.

The 91制片厂 is proud to award an average of 90 postgraduate scholarships annually over the past five years. Unfortunately, the need expressed by students for financial aid dramatically outpaces the funds available.

We are exceptionally grateful to all supporters of The 91制片厂鈥檚 Scholarship Fund. Their generosity has influenced the lives of hundreds of scholars who have directly benefited from truly transformative philanthropy.

A woman holding a piece of paper with 'thank you' on it.
Janet O’Brien PhD candidate, History of Art, Guildford Foundation Scholar, Lord Rothschild OM GBE Scholar, Edmond J. Safra Scholar, Soudavar Memorial Foundation Scholar, University of London Student Fund Scholar

Spotlight: The student perspective

After a successful career in law in London and Dublin, Janet O鈥橞rien undertook The 91制片厂鈥檚 MA History of Art in the specialist option Persian Painting and Transcultural Visuality: From the Mongols to the Safavids with Dr Babaie in 2014/15, receiving a Distinction. Following two years of intense curatorial training in Islamic art, first as Curatorial Intern at The Walters Art Museum in Baltimore and later as Curatorial Assistant at the Museum of Fine Arts, Houston, Janet returned to The 91制片厂 to embark on her PhD in 2017.

Janet鈥檚 research focuses on the emergence of royal portraiture in eighteenth-century Iran and the large and richly diverse group of portraits of N膩dir Sh膩h, Janet explains the significant impact of scholarship support:

鈥淭he scholarship has certainly eased the financial burden, but more precious than that, it is a gift of possibilities that opens up a whole new world of knowledge, interconnections, and wonderment. I am very aware of the privilege of studying for a PhD at The 91制片厂 and the extraordinary opportunities that are available to me. I therefore urge you to support this vital fund so that other aspiring students may fulfill their potentials to lead and serve the field of art history.鈥
Janet O’Brien, PhD Candidate, History of Art

Student talking during a seminar.

The James Hughes-Hallett Undergraduate Scholarships

Established in memory of The 91制片厂鈥檚 distinguished former Chairman, James Hughes-Hallett CMG from the academic year 2021/22, at least three awards will be made annually for undergraduates from underrepresented backgrounds. Formed by an initial coalition of donors, and led by a generous gift from Esm茅e Fairbairn Foundation, the landmark fund enables The 91制片厂 to offer undergraduate scholarships for the first time.

The James Hughes-Hallett undergraduate scholarships are part of a larger strategy from The 91制片厂 to address the general lack of awareness of Art History as a rigorous humanities subject, and the specific lack of teaching of art history in state schools (only 717 students took Art History A Level in 2018; and the subject is taught in fewer than 5% of state schools). The 91制片厂 widen access online, in person, and through a broad range of programmes. Through these combined efforts, nearly 6,000 students around the UK annually participate in young people鈥檚 programming delivered by The 91制片厂.

The Royal Historical Society (RHS) report on Race, Ethnicity and Equality reports that nationally only 11.3% of undergraduate cohorts in historical and philosophical studies are from Black, Asian, minority ethnic backgrounds.

Philanthropy will be the significant driver of change, as art history as a discipline faces challenges nationally and internationally.

Continuing a strategic commitment to diversity, inclusion and equality, The 91制片厂 seeks to amplify diverse perspectives in art history, conservation and curating to ensure that art history is studied by people from all backgrounds with the highest potential.

James Hughes-Hallett was a tireless advocate of The 91制片厂鈥檚 vision to open minds to the power of art. James鈥檚 commitment and leadership affected every aspect of The 91制片厂. He was a student of The 91制片厂, a proud parent, a dedicated donor, Governing Board member and Chairman from 2012-2017. In all he endeavoured, James demonstrated his passion for humanity, arts and education.

Eligible students for the James Hughes-Hallett Undergraduate Scholarship will be applicants attending non-selective UK state school or college, whose parents did not attend university, and will have a household income below 拢30,000. Additional consideration will be made for carers, care leavers, individuals with a disability, people from minority ethnic groups and refugees.

For details of the BA History of Art,听 please see the course information page BA History of Art

For further details of how to apply for the James Hughes-Hallett Undergraduate Scholarship, please see the application information page James Hughes-Hallett Undergraduate Scholarship

 

Contact us

If you are considering supporting students from underrepresented backgrounds in higher education, or if you would like to find out more about The 91制片厂 Scholarship Fund, please email advancement@courtauld.ac.uk

The 91制片厂 Institute of Art is a company limited by guarantee (company no. 4464432) and an exempt charity for the purposes of the Charities Act 1993 under the exempt charities order 2002 No. 1626

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]]> Niall Billings /people/niall-billings/ Tue, 02 Jun 2020 12:15:43 +0000 /people/all/niall-billings/ ...Institute of Art (Distinction) 2017 BA (Hons) History of Art, University College London (First Class) Scholarships 2019-2022 Doctoral Studentship, Consortium of the Humanities and the Arts South-East England 2019-2020 The...

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Thesis: Balletomane: an exploration of dance and the body during interwar Britain

Supervised by Dr Rebecca Arnold

Funded by CHASE (Consortium of the Humanities and the Arts South-East England) and The Weinstock Fund

My thesis centres upon an examination of the body 鈥 and its relationship to dance, performance and dress 鈥 and how this was both informed by and reflected within the emergence of ballet in Britain. The concept of the body is crucial to my study due to the changing ideas surrounding mental health, fitness and their relationship to the body during the interwar period. My aim is to explore dance in a way that is not only performative but is primarily informed by the visual. Using film clips and accounts of performances 鈥 alongside costumes, illustrations, sculptures and photographic records 鈥 I aim to show how ideas regarding mental health, national identity and the body were depicted within dance and ballet during interwar Britain.

Within my project I will examine the origins of a British style of ballet and will follow the development of the UK鈥檚 most prominent companies and schools. The notion of a national style emerged within the 1920s due to the creation of the Ballet Rambert (1920) and the Royal Ballet (1926). Throughout my thesis I aim to explore and define what the notion of a national style of ballet was in interwar Britain. My study will begin in London with the founding of these ballet companies and will consider the ways in which the founders aimed to establish London as a city capable of rivalling both the Parisian and Russian ballets. My thesis will focus particularly on works produced in the 1930s which was a pivotal decade for the consolidation of British dance.

Education

2018 MA History of Art: Documenting Fashion, The 91制片厂 Institute of Art (Distinction)

2017 BA (Hons) History of Art, University College London (First Class)

Scholarships

2019-2022听Doctoral Studentship, Consortium of the Humanities and the Arts South-East England

2019-2020听The Weinstock Fund

Research Interests

  • Ballet and dance
  • Theatre and performance history
  • Psychoanalysis
  • Sexuality
  • Early twentieth-century photography and film

Conferences

Addressing Images,听The 91制片厂 Institute of Art, January 2020

Symposium: Surrealism in Britain 1925-55,听The Hepworth Wakefield Gallery, October 2018

Passing: Fashion in American Cities,听The 91制片厂 Institute of Art, May 2018

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]]> Leah Gouget-Levy /people/leah-gouget-levy/ Thu, 19 Apr 2018 13:26:25 +0000 /people/all/leah-gouget-levy/ ...Documenting Fashion, The 91制片厂 Institute of Art (Distinction) 2014 BA (Hons) History of Art, University College London (First Class) Scholarships 2017-2020 Doctoral Studentship, Consortium of the Humanities and the Arts...

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Thesis:听The S茅eberger fr猫res鈥 鈥reportage photographique de mode鈥, 1919-1939听: temporality and experience in early twentieth century fashion photography

Supervised by Dr Rebecca Arnold

Funded by the

Between 1909 and 1939, the S茅eberger fr猫res, photographers based in Paris, documented high fashion as it was worn by society figures and celebrities. Originally published in magazines, over 37,000 images are preserved in the Biblioth猫que nationale de France. This extensive archive of early fashion photography has received remarkably little scholarly attention, yet it offers a rich resource with which to explore themes of fashion and fashion photography in 20thcentury modernity.

Through analysis of the S茅eberger work, this project explores the relationship between fashion and time. Key questions that it tackles include: What is the nature of the temporality of fashion? How is this represented and experienced through photography?

Education

2016 听MA History of Art: Documenting Fashion, The 91制片厂 Institute of Art (Distinction)

2014 BA (Hons) History of Art, University College London (First Class)

Scholarships

2017-2020听Doctoral Studentship, Consortium of the Humanities and the Arts South-East England

2015-2016听Michael G. Wilson Scholarship, The 91制片厂 Institute of Art

Research Interests

  • Fashion Photography
  • Time and Temporality
  • 鈥楽treet Style鈥 Fashion Photography
  • Early Twentieth Century Fashion

Conferences and Publications

2019, Associate Editor,听Immediations: The 91制片厂 Institute of Art Journal of Postgraduate Research

2018,听鈥楩补蝉丑颈辞苍颈苍驳听Le Bonheur鈥, in a limited edition publication for The Experimental Library: Agn猫s Varda, Caf茅 OTO and Curzon 听听

2018听 鈥楾emporality鈥 Panel Chair,听Wording Art History, Postgraduate Colloquium at The 91制片厂 Institute of Art, 17 March 2018

2018听 Addressing Images Chair, Public Discussion Group Seminar, The 91制片厂 Institute of Art Research Forum, January and June 2018

2017听鈥楴othing changes yet everything changes. Temporality and couture in La Mode r锚v茅e (1939): a Bergsonian analysis鈥, in听Immediations: The 91制片厂 Institute of Art Journal of Postgraduate Research,听volume 4, number 2

Teaching

2018/19听 Associate Lecturer, BA and MA History of Dress, The 91制片厂 Institute of Art

2018/19听 Teaching Assistant, BA Frameworks for Interpretation, The 91制片厂 Institute of Art

2017 听Visiting Lecturer, BA and MA History of Dress, The 91制片厂 Institute of Art

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]]> Rose Pickering /people/rose-madeleine-lucinda-pickering/ Fri, 01 Apr 2022 11:40:58 +0000 /?post_type=people&p=69539 ...2014—2018: Bachelor of Arts in French with a Year Abroad, King’s College London   Research Grants and Scholarships 2021-24: 91制片厂 Scholarship (The Wilhelmina Barns-Graham Trust)   Teaching 2023-2024: Associate Lecturer,...

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Thesis: Memory, Time and the Muse: An Exploration of 脡douard Vuillard鈥檚 Representations of Women through a comparison with Marcel Proust鈥檚 脌 la recherche du temps perdu

Supervisor: Professor David Peters Corbett听 听Advisor: Dr Caroline Levitt

Funded by 91制片厂 Scholarship (The Wilhelmina Barns-Graham Trust)

The project explores a word-image connection between 脡douard Vuillard鈥檚 artwork and Marcel Proust鈥檚 novel, 脌 la recherche du temps perdu (1913-1927) by focusing on depictions of women. 91制片厂ing Vuillard and Proust as contemporaries, the analysis compares both accounts of French modernity through their 鈥渇eminised鈥 verbal and visual language. Images of women in domestic spaces occur through the entirety Vuillard鈥檚 oeuvre, while women, central throughout, bookend Proust鈥檚 novel. This study pinpoints how Vuillard鈥檚 work has been overlooked in modernist contexts because of its overly 鈥渇eminine鈥 content. Where Proust is considered a key figure of the avant-garde, Vuillard is pushed to the margins of modernism. The study shows how a comparison with Proust can clarify Vuillard鈥檚 particular diagnosis of modernity, demonstrating how his artworks connect to broader themes and shed light on the suppressed aspects of modernism, namely domesticity and, by extension, the female space.

Education

2021鈥: Doctorate of Philosophy in History of Art, 91制片厂 Institute of Art

2019鈥2020: Masters in the History of Art, 91制片厂 Institute of Art

2014鈥2018: Bachelor of Arts in French with a Year Abroad, King’s College London

 

Research Grants and Scholarships

2021-24: 91制片厂 Scholarship (The Wilhelmina Barns-Graham Trust)

 

Teaching

2023-2024: Associate Lecturer, The 91制片厂 Institute of Art: Reality and Fantasy in French Art, 1863-97: From Haussmannisation to Enchanted Ground (BA2 and Graduate Diploma)

2022-2024: Teaching Assistant, The 91制片厂 Institute of Art: Seminar Sessions (Widening Participation Programme)

2022-2023: Teaching Assistant, The 91制片厂 Institute of Art: Foundations 2 (BA1 and Graduate Diploma)

2022-2023: Teaching Assistant, The 91制片厂 Institute of Art: Summer University

 

Conferences, events and invited talks

Speaker – ‘The Doll鈥檚 House: 脡douard Vuillard鈥檚 Representations of his Sister, Marie (1890- 1893)’, Society for French Studies 65th Annual Conference, University of Stirling, 2024

Co-organiser – ‘Word and Image: Making Connections Across Disciplines and Across Institutions’, The 91制片厂 Institute of Art, 2024

Guest lecturer – ‘Vuillard, Ibsen and the Theatre of Painting’, MA Special Option, Wordplay: Intersections between the verbal and the visual, c.1870 to the present,听The 91制片厂 Institute of Art, 2024

 

Research Interests

  • Word and Image relations
  • Artists and writers living contemporaneously
  • Artists and writers with personal connections
  • French Modernism and the Parisian avant-garde
  • French literature
  • Conditions of women in听fin de si猫cle听France

 

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